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Arts and Cultural Centre of Sultan Salahuddin Abdul Aziz Shah(PKKSSAAS) is pleased to offer a wide range of arts and cultural services to the to students of UPM and public with reasonable charges.

 

For more, information, kindly call our line at 03-8946 7327 / 03-8946 7325

OR

lease visit these links for more information on our student health schemes. 

http://www.pkkssaas.upm.edu.my/perkhidmatan_kami-1557?L=en

 

 

 

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Tarian Makyong
Mak yong or mak yung (Jawi: مق يوڠ; Thai: มะโย่ง: rtgs: ma yong) is a traditional form of dance-drama from northern Malaysia, particularly the state of Kelantan. It was banned by the Pan-Malaysian Islamic Party in 1991 because of its animist and Hindu-Buddhist roots which pre-date Islam in the Asian region by far. In 2005 UNESCO declared mak yong a "Masterpiece Of The Oral And Intangible Heritage Of Humanity". The late Cik Ning was a leading mak yong performer in the 1980s. Mak yong is considered the most authentic and representative of Malay performing arts because it is mostly untouched by external sources. Although most traditional Malay dances were influenced by India, Java and other parts of Southeast Asia, mak yong's singing and musical repertoire are unique. Of the major stories performed in mak yong, most are derived from Kelantan-Pattani mythology. Some of those obtained from outside the Malayan-Thai region have now died out elsewhere such as Anak Raja Gondang, a story originally from the Jataka tales but now almost unknown in India. A performance begins by paying respect to the spirits (semah kumpung) with an offering. This is followed by dancing, acting and improvised dialogues. Stories were presented in a series of three hour performances over several nights. The lead dancer is called the pak yong and dresses as a king. The cast usually includes a queen in second lead, palace girls and jesters. Traditionally, all performers were female except for the clowns who are always male. A group called Jong Dongdang sings and dances in between chapters and at the story's closing. The mak yong orchestra is small with the main instruments played being the three-stringed spiked lute, drum (gendang) and a pair of gong. It may also include the flute (serunai), keduk drums and small cymbals (kesi). Today there are less than ten veteran mak yong performers. Although there have been a few attempts to revive the art form, seasoned performers have noted a clear difference between the commercialised mak yong of urban dancers when compared with the movements of rural performers. Not many young people are willing to undergo the rigorous apprenticeship so the art is now on the decline.
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Salam sejahtera dan Salam 1 Malaysia,

Sukacita dimaklumkan, Portal Putra UPM kini boleh digunakan untuk mengakses pelbagai sistem aplikasi melalui satu antara muka.

Portal Putra UPM (http://portal.upm.edu.my) merupakan inisiatif Pusat Pembangunan Maklumat dan Komunikasi (iDEC) UPM bagi menyediakan kemudahan capaian atau ‘access gateway’ ke sistem aplikasi Universiti dengan menerapkan teknologi pengesahan (authentication) UPM-ID Single Sign-On (SSO).

Dengan adanya Putra Portal UPM, konsep “Single Sign-On (SSO)” diamalkan, dimana capaian kepada pelbagai sistem aplikasi dapat dibuat dengan menggunakan single ID (UPM-ID) dan paparan juga mesra peranti mudah alih.

 Untuk makluman semua, sebanyak 21 sistem aplikasi telah menggunapakai konsep SSO, yang boleh dicapai melalui Portal Putra UPM (http://portal.upm.edu.my). 

 Sebanyak 32 sistem aplikasi lain yang masih belum menggunapakai konsep SSO boleh juga dicapai pantas melalui ikon "NON SSO" pada Portal Putra UPM (http://portal.upm.edu.my). 

 Untuk sebarang maklumat lanjut, sila hubungi Helpdesk iDEC (03 8947 1990) atau email idec_helpdesk@upm.edu.my 

 Sekian, terima kasih.

41ST 2017 UNIVERSITI PUTRA MALAYSIA CONVOCATION 

4TH NOVEMBER - 7TH NOVEMBER 2017

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